SELECTION OF CRITICAL TEXTS, REVIEWS AND ESSAYS
For a full listing please see the bibliography section in the CV


>>> Navigating Noise, Diasporic Mappings, and Ruptured Spaces: The Practice of Nayda Collazo-Llorens by Ana Hilda Figueroa de Jesús, CentroPR, July 2025.

>>> Remapping Coloniality: The Puerto Rican Art of Decolonial Cartography By Carlos Rivera Santana, The Latinx Project at New York University, 2024.

>>> «La abstracción puede ser sumamente política»: entrevista a Nayda Collazo-Llorens by Sophie Large, HispanismeS, #20, 2022

>>> 10 Galleries to Visit Now in the Lower East Side by Holland Cotter, New York Times, Apr. 2018
Review of Unmappings, LMAKgallery, New York, 2018

>>> Mapping the Viewer's Perception by Jessica Santone — Companion essay published in the catalog of the exhibition Comfortably Numb, at Grand Valley State University's Art Gallery, 2017

>>> Nayda Collazo-Llorens: The Consistency of Chaos by Kathleen MacQueen — exhibition catalog PDF
Companion essay/conversation published in the catalog of the exhibition An Exercise in Numbness & Other Tales, at the Richmond Center for Visual Arts, 2012

>>> My Top Art Picks for 2012 in Chicago and the Midwest by Pedro Vélez, NEWCITY, 20 Dec 2012
Review of An Exercise in Numbness & Other Tales, Richmond Center for Visual Arts, 2012

>>> Nayda Collazo-Llorens, LMAKprojects, New York by Laura F. Gibellini, Arte al Día International, May 2012  [ENGLISH] Review of Across Doom Hopes the Guiding Fever, LMAKprojects, New York, 2012

>>> Nayda Collazo-Llorens, LMAKprojects, New York por Laura F. Gibellini, Arte al Día International, May 2012  [ESPAÑOL] Crítica de Across Doom Hopes the Guiding Fever, LMAKprojects, New York, 2012

>>> Shifting Connections: Spring Shorts by Kathleen MacQueen, Bomb Magazine, May 2012
Review of Across Doom Hopes the Guiding Fever, LMAKprojects, New York, 2012

>>> La poesía de las paredes por Ana Teresa Toro, El Nuevo Día, 5 de agosto, 2010
El Nuevo Día Artículo sobre el proyecto Reverberación, Museo de Arte Contemporáneo, San Juan, 2010

>>> ESCaperucita & Little Flying Hood by José Quiroga (English version)
This essay was published in the catalog that accompanied Collazo-Llorens’ project at the X Havana Biennial, 2009

>>> ESCaperucita & Little Flying Hood por José Quiroga (versión en español)
Este ensayo fue publicado en el catálogo que acompañó el proyecto de Collazo-Llorens para la X Bienal de la Habana, 2009

>>> Nayda Collazo-Llorens: Navigable Zones by Laura Roulet
Companion essay to the exhibition Navigable Zones, Project 4, Washington DC, 2007

>>> Navigable Zones: Nayda Collazo-Llorens by Jeffry Cudlin, Washington City Paper, May 17, 2007
Review of Navigable Zones, Project 4, Washington DC, 2007

>>> Mindscapes by Nayda Collazo-Llorens: The Poetics of Opposition by Deborah Cullen
Companion essay to the exhibition Mindscapes, Space Other, Boston, 2006

>>> Nayda Collazo-Llorens – Mindscapes by Gamaliel R. Herrera
Introduction essay to the exhibition Mindscapes, Space Other, Boston, 2006

>>> Nayda Collazo-Llorens, Configuraciones by Elvis Fuentes, ArtNexus, No 60, March-May 2006  [ENGLISH] Review of the exhibition Configuraciones, Galería Raíces, San Juan, 2006

>>> Nayda Collazo-Llorens, Configuraciones por Elvis Fuentes, ArtNexus, No 60, Marzo-Mayo 2006  [ESPAÑOL] Reseña de la exhibición Configuraciones, Galería Raíces, San Juan, 2006

>>> Viaje por un mundo alucinado por Haydée Venegas, El Nuevo Día, 20 agosto 2003
Reseña de la exhibición Simultáneo, Galería Raíces, San Juan, 2003

>>> A Question of Time: Comments on the Work of Nayda Collazo-Llorens by Yasmín Ramírez
Companion essay to the exhibition Tiempo+Consecuencias, Galería de Arte, Universidad del Sagrado Corazón, San Juan, 2000

>>> Conceptualizando el Tiempo: Comentarios sobre la obra de Nayda Collazo Llorens por Yasmín Ramírez
Traducción del ensayo publicado en el catálogo que acompañó la exhibición Tiempo+Consecuencias, Galería de Arte, Universidad del Sagrado Corazón, San Juan, 2000


For a full listing please see the bibliography section in the CV

COPYRIGHTS FOR ALL TEXTS ARE HELD BY THEIR AUTHORS