Nayda Collazo-Llorens, born in San Juan, Puerto Rico, is a visual artist engaged in an interdisciplinary practice incorporating multiple mediums and strategies. She earned an MFA degree from New York University and a BFA degree from Massachusetts College of Art and Design. She has received grants from the Pollock-Krasner Foundation, and Beta-Local's El Serrucho, among others, and is a former Visiting Fellow at the Arcus Center for Social Justice Leadership. Her work has been exhibited at El Museo del Barrio in New York City, The Mattress Factory in Pittsburgh, Museum of Latin American Art in Long Beach, The Patricia & Phillip Frost Art Museum in Miami, Bass Museum of Art in Miami Beach, Urban Institute for Contemporary Arts in Grand Rapids, Richmond Center for Visual Arts in Kalamazoo, Museo de Arte Contemporáneo in San Juan, Museo Universitario del Chopo in Mexico City, and The Dowse Art Museum in New Zealand, among other institutions. Her work is featured in the book Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, published by Duke University Press; A to Z of Caribbean Art, published by Robert & Christopher in Trinidad and Tobago; and The Dark Would: Language Art Anthology, published by Apple Pie in the UK. Her work has been reviewed in The New York Times, Art News, Art Net, Art US, Art Nexus, Arte al Día International, BOMB, and Newcity.

Nayda Collazo-Llorens, nacida en San Juan, Puerto Rico, es una artista visual interdisciplinaria que incorpora diversos medios y estrategias. Obtuvo un MFA de New York University y un BFA del Massachusetts College of Art and Design. Ha recibido becas de la Fundación Pollock-Krasner, El Serrucho de Beta-Local, y el Arcus Center for Social Justice Leadership, entre otras.  Su obra se ha exhibido en El Museo del Barrio en la ciudad de Nueva York, The Mattress Factory en Pittsburgh, Museum of Latin American Art en Long Beach, The Patricia & Phillip Frost Art Museum en Miami, Bass Museum of Art en Miami Beach, Urban Institute for Contemporary Arts en Grand Rapids, Richmond Center for Visual Arts en Kalamazoo, Museo de Arte de Puerto Rico y el Museo de Arte Contemporáneo en San Juan, Museo Universitario del Chopo en la Ciudad de Mexico, y The Dowse Art Museum in New Zealand, entre otras galerías e instituciones. Su obra ha sido publicada en los siguientes libros: Relational Undercurrents: Contemporary Art of the Caribbean Archipelago por Duke University Press, A to Z of Caribbean Art, por Robert & Christopher en Trinidad y Tobago; y The Dark Would: Language Art Anthology, por Apple Pie en el Reino Unido. Su obra ha sido reseñada en The New York Times, Art Net, Art US, Art Nexus, Art News, Arte al Día International, BOMB, y Newcity.